A Song of Mine – The Gulf of Mexico

Gulf of Mexico -- Sperry Hunt

This is a true story from my high school days.

The Gulf of Mexico
©2015 Sperry Hunt
1. The sun was in our eyes.
We couldn’t see the end.
You were my girl.
He was my friend.
I glanced away,
Dreamers do.
You waited for me.
He waited for you.

Chorus. Some dreams take you over.
Some dreams take you under.
Some just drag you where they go.
Some live in the heart forever.
Some change like the weather.
This dream drowned in the Gulf of Mexico

2. You called to me.
I did not come.
I didn’t even know.
What I had done.
I broke your heart,
Like dreamers do.
I didn’t even care,
I broke it in two.

Chorus

3. You turned to him.
He said let’s wait.
You were my girl.
He was my mate.
He left you there.
Said he really should go,
But he would return from
The Gulf of Mexico.

Chorus

 

 

A short story of mine

Arcola.jpg

Life from a Distance

Life from a Distance

© Sperry Hunt 2011

As with most men, Luther and I spent nearly an hour talking about half a dozen things that didn’t matter just to avoid the one thing that did.

It was a sunny morning last July. We sat in our rockers on the deck outside the Menagerie with our feet on the rails. The Menagerie was the rickety lodge he and I built on top of the White Cliffs. The grain silos, the schools and the houses of Beeville spilled out across the prairie a thousand feet below. The old drive-in movie screen listed toward the rim of the world where nearly every evening the sun sets into a pot of gold.

During the first half-hour of our conversation, we peeped around town through Luther’s telescope speculating on what we observed: Sam Black was late to work for the third day in a row. Coach Jacobs and Father Dupree drove out under the willow grove where the river bends. And, judging from the consistent vacancy in her driveway, Lucy Malloy hadn’t taken up with anyone a year after Roy ran off on her.

When Luther was too sore to put his eye to the telescope, he leaned back and spoke in short breaths for a while about the virtues of tying flies and coffee can stew. In the middle of his stew story, he turned away and said something I didn’t catch. When I asked him to repeat it, he wiped his eyes with the crook of his arm and turned toward a silver drape of rain sweeping across the highway to the east. “Back when this state was a territory, know what its motto was?” he said.

“Can’t say I do,” I said even though he’d often told me.

“I long to see what is beyond.”

“Is that so?”

“Yep, and that’s just the way I feel today.”

I squeezed his shoulder. The bones slid around like they were in one of those over-roasted chickens you sometimes get at the market.

Luther snatched up the shot glass of smoky, green juice he’d set beside himself earlier. He raised the glass once toward me and again toward the horizon before downing the contents.

A shiver of disgust roiled through him. Then he grabbed my hand, hauled himself to his feet and threw the jigger with all he had into a long arc. The glass sparkled past a wheeling hawk then tumbled down into the hay field waving like the ocean on Karl Schuster’s back forty.

Luther fell back into the rocker and winked at me.

“See you, Jake.”

I stared at him feeling that low-voltage, bilious sensation you get when your car spins on the ice.

“See you, Luther,” I said into his eyes.

He groaned once then slumped back against the slats peacefully, like he’d done a hundred times listening to a ball game.

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Breath In, the film

Breath In

I watched Drake Doremus’ 2013 film Breath In last night. I always enjoy seeing Guy Pearce and Felicity Jones, both of whom seem to be everywhere these days. I wondered what would draw them both into what seemed to be a tiny film. I was not disappointed.

The story is essentially a British forbidden love novel with all the right beats and few of the traps that D. H. Lawrence would have merrily strewn  through it. The actors were well chosen, and every effort was made to restrain what could easily have been a tawdry, melodramatic and self-righteous tale. Doremus, who also wrote the film, made sure that every character had a firm perspective and the romance was attributed at least in part to events in their lives at that moment. What happened could simply not have been avoided by real people, which should be said of all stories.

 

The Trunk in the Attic

The Trunk in the Attic

I struggle with the complexity of the stories and the accessibility of language in my two novels. Will a young reader stumble on a word more common in the books of my own childhood than in hers? Will she finish a book with so many characters and twists?

The point I’ve come to is that while I certainly do not wish to confuse, bore or frustrate readers, I do hope to pass on some of the richness of detail I was fortunate enough to be exposed to not only in my early readings, but in my own childhood. My father, a character himself, devoured sea stories, and could quote Shakespeare and Walter Scott at the drop of the hat. My mother, a painter and poet, quoted the Romantic poets almost daily. My big sister Lalu is a marvelous storyteller herself and read me Thurber with a wicked giggle. My late sister Robin McCorquodale published several acclaimed books and sang mezzo soprano in New York. My brother Grainger Hunt sang rock-and-roll and played Henry IV on stage. My own literary influences were Shakespeare, Homer, Twain, Verne, Stevenson, Doyle, Wells, Hammett, Hellman, O’Brian, Chandler and McMurtry. I read them still.

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Good Stories

Ginevra de' Benci c. 1474

Everybody has an interesting story, but it’s generally not the one they’ll tell you first. How Bob kicked the winning field goal in the last high school game is interesting to Bob. It’s the story that makes Bob feel giddy as he anticipates excitement rising in your expression. To get a grand sense of this, read William Shatner’s or Donald Trump’s autobiographies. They’re stuffed with vignettes that portray them as brave, smart and very cool. (I actually enjoyed Shatner’s.) They’re the same stories you’ve been button-holed in the corner at a cocktail party to hear. There are one or two in this blog to be honest.

The good stories are the ones you pull out of yourself like arrowheads. They make you squirm. They’re embarrassing or shameful – so much so they’re likely to be embedded in fiction, or told as though they happened to someone else.

Those are the ones I want to hear, and write. Most of us, I suspect, have several. But, like I say, they’re hard to tell.

*The painting is Leonardo DaVinci’s Ginevra de’ Benci, c. 1474.

Editors

Maurice de Vlaminck Painting

I’m at the Willamette Writers Conference in Portland, OR this weekend pitching my new book. I must say the more editors I know, the more I like them. Publishers, bless them all, love numbers. Editors love words. They are the gardeners of books.

*Painting by Maurice de Vlaminck.

Cynics

Nay Sayer

Pity the crank. The nay sayer. The lone member of the opposition in all things.

Or rather don’t.

Pity doesn’t work. I tried. A cynic will try to entangle you in his nets, and drag you down saying, “See? I told you so.”

Remember the words of Oscar Wilde: “A cynic is a man who knows the price of everything, and the value of nothing.”

Follow the wisdom of George Carlin who said, “Scratch any cynic and you will find a disappointed idealist.”

I urge you, don’t be tempted to aid a cynic. He’ll turn you into a symbol of the success of his own failure, or the failure of success itself.

Editing Help from Brooke Wolff

Edit with Red2

I would like to acknowledge the professional editing help of Los Angeles writer/editor Brooke Wolff. I sent Brooke the entire manuscript of my pirate novel a month ago. Two weeks later she had finished the edit and returned it to me with enough red marks to keep me from making a fool of myself when I send the manuscript out to agents and publishers. In addition we had a ninety minute phone call to discuss certain aspects of character development, continuity and most especially how to more finely tune the book to my audience. Brooke felt the two main characters need to be two years older.

She was absolutely right. The story began as a middle grade novel. As I wrote, however, it morphed toward being young adult. What had happened was the characters began to act more maturely due to the circumstances of being with two boys their age on a pirate ship 300 years from home. At this point I could have stopped my forward progress and gone back to the beginning. But on the advice of experience, I worried I would lose momentum and possibly even the heart to finish it. So I kept going.

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Stealing Apollo – The Story Behind the Story

Frogronaut 1

Some years ago I wrote a film script that follows the shenanigans of a gang of men who steal an Apollo spacecraft from a display in a Vegas casino in broad daylight. Here’s a memory from my boyhood that says something about a guy who would write such a story three decades later.

As thirteen-years old Houstonians, my next door neighbor Ned and I built a piloted rocket ship. I use the word piloted loosely. Our astronaut had no control over his spacecraft, but then neither did Yuri Gagarin, who earlier that year became the first man to orbit Earth. Not being funded by a national space budget, we constructed our capsule from a shoe polishing kit and a three-foot mailing tube we filled with homemade gunpowder.

Yes, homemade gunpowder.

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Odysseus and Calypso

Odysseus and Calypso
Odysseus and Calypso.
Red-figure vase. Clay.
Paris, Louvre Museum.

I’ve been writing a lengthy middle-grade sci-fi novel for almost two years now that I think of as an odyssey. It’s the tale of a modern girl whose city has been horribly changed be someone stealing her parents’ time machine. When the machine returns to her, she and her best friend must use it to go back three-hundred years and undo the damage.
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Backstories of Backstories

Every story has a backstory. Every time machine story has two.

The backstory of the Pirates of Time, my current effort, is the love between pseudo-pirate Captain Swiftfoot Darkrunner and Blue Leaf, princess of the Nighthawk People.  This love is vital to my main character Erin Isabelle Spotsworth three-hundred years later.  Though only obliquely related to my tale, Pirates of Time could not have been written were it not for a number of fiction and non-fiction books I read as a child. This post is an attempt to honor these stories in enriching my story and indeed, my life.

Pocahontas and John Smith

The history of Pocahontas and Captain John Smith

Wendy

Peter Pan and other related works of J.M. Barrie

TinWoodmanofOz

The novels of L. Frank Baum

ForgetfulProfessor

The rich literary history of forgetful professors such as Per Lindroth’s book.