Clarity and patience

princessandtheburl I’ve learned a great deal about writing from reading.  You are what you read.  Everyone says it.  Stephen King in his On Writing, for one.   John Lennon became the songwriter he was by listening to stacks and stacks of pop 45’s.

And yet, good writing doesn’t just come from reading, nor education by itself.  Satisfactory writing, for me at least, comes through quite a lot of unsatisfactory writing.  It’s easy to beat yourself up about it.  Indeed, I’ve gone to the school of self-flagellation wearing my sack cloth and ashes.  By in large, that time was wasted.  Vanity and modesty are both illusory.

Good writing comes in the effort of making your imagination clear.  Clarity informs everything.  It tells you what is overstated, ommited and overdramatized.   To be clear is to tell a tale or sing a song without deviation, and isn’t that what we all look for in art?

And patience can’t be underestimated, for it implies two qualities one brings to a piece:  First, the dignity of labor.  To be patient means you will show up on time with a willingness to work for as long as it takes.  Patience further suggests that you will leave your negative nature behind and not infect the words with it.

The photograph, by the way, is of my granddaughter Erin who at three-years-old exhibits a remarkable degree of clarity and patience in so much that she does – especially her storytelling. As an example when she was barely two, she created an imaginary sister named Wall. Her hands and feet are mermaids and such.  Each has a name and a set of traits. She has stories about them all, and talks to them regularly. The remarkable thing is how clearly she remembers each vignette and how consistent are the properties of each character. I know this because when I confuse them, she corrects me with an all but imperciptible show of exasperation.  She is my inspiration.

About famed Dream City writer S. E. Hunt

Here is a quote from The Inventors’ Daughter series website in which I describe my collaboration with famed Dream City writer S. E. Hunt. (S. E. is a very close relation. In fact we could hardly be closer.)

Every night – very, very late – I fly high above the clouded moonlit ocean from Seattle to Dream City, never quite sure whether Professor Spotworth’s buzzing, sputtering Astral Phaeton will stay aloft for the entire frigid, buffeted journey. Once there, I join S. E. in a gloomy, back-alley coffee shop where we scribble, shout and toss notes at one another from opposite ends of a long, battered table.

 http://www.theinventorsdaughter.com/Author.aspx 

Why have a collaborator?  Don’t get me wrong.  I’m used to working alone, and I tried my best to research Dream City and write the book by myself.  I was shown the shark-shaped Aquarium.  I joined the Jupiter Space Museum, a five-story glass ball resembling the striped planet with the hurricane-eye riding on its equator.  I even travailed up to the Tripod observation deck where I could look down seven-hundred feet onto the three Dream Islands below.

But it was no use.  I could tell the stories alright, but the pages were as dry as a Pharaoh’s mummy.  No, I needed a partner who was not only a good writer, but a resident of Dream City and someone who actually knew the brave and clever Erin Isabelle Becker-Spotsworth.  I believe our collaboration, though quite stormy, has yielded far richer tales than I myself could have ever told alone, or he by himself for that matter.

I recommend to all writers that they occassionally take the opportunity to join a fellow scribbler and see if one plus one does not equal … well, who knows what? 

I suppose not knowing is rather the point, wouldn’t you say?